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contemporary art magazine go home about broadcasts contact advertise filter cities amsterdam antwerp aspen athens auckland barcelona bath belgium bergen berlin bilbao birmingham bonington gallery bonn boston bregenz brighton brisbane bristol brussels cambridge cardiff chiba chicago colchester cologne colorado copenhagen coventry dubai dublin dundee dusseldorf edinburgh espoo essen film frankfurt geneva gent glasgow haarlem helsinki hong kong hull humlebæk installation istanbul la leeds leicester liverpool london los angeles madrid manchester margate massachusetts melbourne memphis mexico mexico city miami middlesbrough milan montreal moscow napoli new york newcastle newcastle gateshead nîmes north america norwich nottingham oakville oldham oslo oxford painting paris performance photography pistoia plymouth portland prague preston riga rome rotterdam salisbury san francisco sandiego sculpture seoul seville shanghai singapore solo somerset sound southend-on-sea spånga st. moritz stockholm stoke-on-trent sydney tehran text the hague tokyo toronto vancouver venice video vienna vilnius wassenaar yorkshire zurich medium animation architecture archival assemblage beijing broadcasting ceramics choreography collage computer curation digital drawing enamel film group ink installation kinetic landscape light mixed media new media painting performance photo photography pottery print printmaking projection publication sculpture solo sound technology text textile textiles video virtual reality watercolour show abstract abstraction anri sala art fair art prize artist interview artist profile biennale book camden arts centre catherine clark gallery dana schutz draf dublin festival fierce festival frieze projects group installation jerwood visual arts painting photorealism photorealist print solo sound technology two-person archive dec 2018 nov 2018 oct 2018 sep 2018 aug 2018 jul 2018 jun 2018 may 2018 apr 2018 mar 2018 feb 2018 jan 2018 follow @_ 258 cambridge heath road, london, e2 9da emanuel almborg: the nth degree the nth degree is a new film by emanuel almborg based on a theatre project inspired by historical sources and documentary materials. further reading + kunsthalle wien, museumsplatz 1 1070 vienna antarctica. an exhibition on alienation it all began with a brief sketch for a possible motion picture. further reading + auto italia, 44 bonner road, london e2 9js gran fury: read my lips ‘read my lips’ is a powerful retrospective of agitprop collective gran fury, an autonomous unit stemming from the new york caucus of radical international direct action group ‘aids coalition to unleash power’ or act up. review by sophie risner further reading + austrian cultural forum, 28 rutland gate, knightsbridge, london sw7 1pq newstalgia ‘newstalgia’ is shifting common ways of memorialisation into question. it does this through exposing attempts to activate social and cultural habits that remember and question contemporary ways to fulfil civil duties – to re-evaluate economic, cultural and societal operations. review by alexandra gamrot further reading + assembly point, 49 staffordshire street, london se15 5tj vanessa billy: future perfect post-apocalyptic in tone, this set of interconnected works further develops themes of nature and transformation, concerns at the core of billy’s practice. consisting of new pieces and site specific interventions, the exhibition speculates on a future where science has radical consequences on the environment and living species within it. further reading + kunsthalle wien olaf nicolai. there is no place before arrival several street artists have been commissioned by the german artist olaf nicolai to reproduce 22 images into the form of chalk sketches. further reading + plymouth college of art, tavistock pl, plymouth pl4 8at simon bayliss: meditations in an emergency simon bayliss’ exhibition, meditations in an emergency, is an exhibition of multitudes, crossing from pottery and electronic music to watercolour landscapes, poetry and performative film. the show by is a marriage of the seemingly incongruous, such as the neon sign alternating simon bayliss / sin on gay bliss reflecting on the glazing of his pottery. it is a joining, as the words inscribed on the pot reads, of ‘high and low with one another’. review by eva szwarc further reading + irish museum of modern art, royal hospital kilmainham, military rd, kilmainham, dublin 8, ireland wolfgang tillmans: rebuilding the future tillmans’ selection and presentation of his work is unique to each setting and here we see the choice to present, for the first time in a number of years, the early-career hospital operating theatre ‘i’ and ‘ii’ from 1994, in the setting of a former hospital; indicating the work’s sensitivity and ability to respond to its environment and shape the narrative. review by aidan kelly murphy further reading + south london gallery, 65-67 peckham rd, london se5 8uh knock knock: humour in contemporary art despite the show’s title, which has been taken from roy lichtenstein’s ‘knock, knock poster’ (1976) and which appears in the main gallery, the exhibition refuses the monotony of formulaic joke-telling and instead employs irony and cynicism to create moments of discomfort and menace. review by olivia aherne further reading + campoli presti, 223 cambridge heath rd, london e2 0el rochelle feinstein: rainbow room / the year in hate bringing together a new body of work created this past year, the exhibition makes two opposing propositions, each one presented in one of the gallery’s two rooms. the propositions are based two formal devices: the rainbow and the calendar. review by edmée lepercq further reading + humber street gallery, 64 humber st, hull hu1 1tu jamie reid: xxxxx: fifty years of subversion and the spirit raised as a socialist and a druid and initiated into political activism at a young age, jamie reid blames his parents for his rebellious streak; which at the age of 71, shows no sign of abating. the self-described anarchist uses iconoclastic collages and seditious ransom note-style idioms to marshal a cultural insurgence against the status quo; while his kaleidoscopic paintings reject materialism and individualism through a meditative connection with nature. review by christopher little further reading + 1 2 3 » home about broadcasts contact advertise ')

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http://thisistomorrow.info/tag/madrid
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artistsresearchcentre.org.uk
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Domain Name: THISISTOMORROW.INFO
Registry Domain ID: D27708409-LRMS
Registrar WHOIS Server:
Registrar URL: http://www.ascio.com
Updated Date: 2018-01-10T01:36:35Z
Creation Date: 2009-02-09T15:36:17Z
Registry Expiry Date: 2019-02-09T15:36:17Z
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Registrar: Ascio Technologies, Inc. Danmark - Filial af Ascio technologies, Inc. USA
Registrar IANA ID: 106
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +44.2070159370
Reseller:
Domain Status: ok https://icann.org/epp#ok
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Registrant Country: GB
Name Server: NS01.ONE.COM
Name Server: NS02.ONE.COM
DNSSEC: unsigned
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SERVERS

  SERVER info.whois-servers.net

  ARGS thisistomorrow.info

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DOMAIN

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  HANDLE D27708409-LRMS

  CREATED 2009-09-02

STATUS
ok https://icann.org/epp#ok

NSERVER

  NS01.ONE.COM 195.206.121.10

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